A Touch of Zen (1971) [Blu-ray]
Adventure

--- Subtitled ---
The Criterion Collection [Blu-ray]

A lady fugitive (Yang Hui-ching) on the run from corrupt government officials is joined in her endeavors by an unambitious painter (Ku Shen Chai) and skilled Buddhist monks.

Storyline: An artist, Ku, lives with his mother near an abandoned fort, reputed to be haunted. One night, investigating strange noises, he meets the beautiful Yang who is living there. She is being pursued by agents of an Imperial noble who have murdered her family. Ku finds himself caught up in her struggle to survive, and many fierce battles take place before all is resolved. Action adventure with a lyrical feel, this is a kung fu film with a strong spiritual element. Written by Richard Hills

Reviewer's Note: Reviewed by Robert Brenner on April 12, 2016 -- A dreamy artist/scholar just wants to paint and study. His nagging mother wants him to take the civil service exam, marry, and settle down. The two of them live unhappily together in the ruins of an abandoned fortress because the rent is cheap. Then one day two mysterious strangers arrive: a beautiful woman and a man with sinister eyes...

Thus begins A Touch of Zen (1971-72), King Hu’s classic three-hour wuxia epic. You can see it in all its glory in a beautiful new 4K restoration at Film Forum, from April 22nd through May 5th.

A big influence on Crouching Tiger, Hidden Dragon (2001), A Touch of Zen is the ultimate expression of martial arts movie director King Hu (Come Drink with Me, Dragon Inn). Hu had become concerned about the amount of mindless violence in most action movies—including his own. He wanted to make a film that reflected Buddhist concepts of compassion and pacifism.

Don’t worry, there’s still plenty of kickass ass kicking in A Touch of Zen. The battles in the bamboo forest and the abandoned fortress are justifiably famous and have often been copied. Fans of martial arts mayhem will not be disappointed.

But at a crucial juncture, the hero—the dreamy artist/scholar, who turns out to also be a military genius—fades into the background, and the Buddhists monks that have been on the periphery take center stage. The monks kick ass too when absolutely forced to, but they also preach about repentance and the sanctity of life.

A Touch of Zen is also deliberately slower paced than most chopsocky flicks. The first fight scene doesn’t occur until an hour into the film. Hu uses that slower pace to build atmosphere and tension, deploying scenes of nature—spider webs, frozen and running water, radiant sunlight and romantic moonlight, bending ferns and immovable rocks—to convey his themes.

A Touch of Zen had a difficult release history. Against Hu’s wishes, it was cut into two ninety-minute movies. Then a single, heavily edited (re: butchered) two-hour version was released. Finally, Hu regained control of the film, and released a single three-hour version, as he always intended.

Although the three-hour version won a prize at Cannes, it was a box office disappointment, and Hu was never able to work on this scale again. We are lucky the full version of A Touch of Zen exists.

[CSW] -3.3- Other than the times I wanted to hurry up the story line a little bit, I think this reviewer said it better than I could:
Extremely influentional Wuxia fantasy film that served as a major inspiration for a directors of a generation later like Tsui Hark, Ang Lee, Ching Siu-Tung and Wong Kar-Wai. A smart but sort of scatterbrained scholar/painter who lives with his mother meets up with a mysterious young woman and her seemingly blind companion. In reality they are kung fu-powered warriors on the run from the government which is constantly dispatching wicked officials with martial arts abilities of their own to catch them. The first thing that will definately strike anyone about this film is the running time, which is just over three hours. Surprisingly, despite the slow-paced establishing shots and loving overpasses of natural scenery, the story moves very quickly and the time flies by. The plot is certainly stretched a bit, though, and the subject matter is nowhere near epic enough for this sort of length. What the film has a lot of is very human, believable and endearing characters, a handful of intense action sequences and a blueprint for many of the flying swordsman adventure films that would flourish in Hong Kong in the 1980s and early 90s. This is a certifiable classic in the HK film pantheon, and has been quoted by many prominent directors in dozens of films. Because of this, its legacy may weigh a little heavy of its viewers, but taken on its own merits it's a fun, well-performed and engaging tale of friendship and swordplay.
.

Wuxia which literally means "martial hero", is a genre of Chinese fiction concerning the adventures of martial artists in ancient China. The word "wuxia" is a compound composed of the elements wu (lit. "martial", "military", or "armed") and xia (lit. "honourable", "chivalrous", or "hero"). A martial artist who follows the code of xia is often referred to as a xiake (lit. "follower of xia") or youxia (lit. "wandering xia"). In some translations, the martial artist is referred to as a "swordsman" or "swordswoman" even though he or she may not necessarily wield a sword. The heroes in wuxia fiction typically do not serve a lord, wield military power or belong to the aristocratic class. (Wikipedia)

[V3.0-A3.5] MPEG-4 AVC - No D-Box.


º º